If you have played these pieces many times, as I have, this is the sort of thing you crave. Weilerstein was born in Rochester, New York. to a secular Jewish family. She started playing the cello at age four. She made her debut at age 13 with the Cleveland Orchestra playing Tchaikovsky 's Variations on a Rococo Theme. As a soloist she has performed with a number of other major orchestras on four continents. I was never subjected to abuse or was made to practice 10 hours a day while locked up. For the first chapter of Alisa Weilerstein s groundbreaking project for solo cello, co-commissioned by Carnegie Hall, J. S. Bachs First Cello Suite is woven together with new works, responsive lighting, and scenic architecture, inviting audiences into an immersive, multisensory experience. .st0{fill:#000;}. Alisa Weilerstein - Wikipedia As Artistic Partner of the Trondheim Soloists, she regularly tours and records with the Norwegian orchestra. At least I dont.. This category only includes cookies that ensures basic functionalities and security features of the website. AT FIRST GLANCE, Fragments might appear to be another of Weilersteins explorations of Bach, a successor to her all-in-one-night performances of the six suites, her emotive recording of them on the Pentatone label and her pandemic streaming series. Also, you cant be afraid of performing. When she finally forced herself to play again, she found herself staring out of the window, wondering what her field might look like when, or if, performers returned to the stage. I read a lot of books. But this project is intended to reimagine what a cello recital can be, to challenge some of the conventions that Weilerstein thinks might inhibit a listeners immediate response to the music, and to add layers of theatricality to the arguably staid traditions of the concert hall, in an acceptance that a musician is, after all, performing on a stage. She will be there, playing solo. En Espaol. AW: I was 13 when I first came as a student, so that was 1995, and I studied with David Finckel, and also, I played for Dorothy DeLay quite a lot. Im still going to always try to improve as an artist and to be a more insightful interpreter. Yes, that is weird. Something I return to every so often is Kunderas The Book of Laughter and Forgetting. Her repertory is wide but has been marked by a focus on contemporary music. Its a balance we have to strive forto protect what the composer intended, yet keep the music alive so it doesnt become a museum piece, or simply an archive. Alisa Weilerstein - Orchestre symphonique de Montral Because its hard enough, even when you love it. We also use third party cookies which help us analyze and understand how you use this website. The other goal that I have is to try to help create a twenty-first century repertoire for the cello, much in the way that Rostropovich did in the twentieth century. Jamie Jung/Courtesy of the artist In Alisa Weilersteins groundbreaking, multi-year performance series FRAGMENTS, new music by some of the most compelling composers of our time meets Shes the same manager I have now, 20 years later. She will perform a Bach suite in its entirety, and she will play it with her typical, heartfelt passion. like. WebExplore Alisa Weilerstein's discography including top tracks, albums, and reviews. Alisa Weilerstein: Fragments | Apr 1, 2023 in NYC | Carnegie Hall Image. You try to treat the score as something thats living and breathing, and therefore, malleable. We were just working together, and I wanted to be a better musician and a better cellist. hide caption. Hablas espaol? She doesnt give the impression that making music involves will at all. Fragments is an attempt to fix a problem, Weilerstein said of relying too much on our old models of presenting, especially when it comes to new music.. There is no end point. We all had a lot of time to think about what it means to really connect with an audience, what it means to connect with each other, and an appreciation for being in one communal space.. The helpful thing is that a lot of repertoires that I have to play are repertoires that Ive done before. The perspective gives you something. There is no end point. Is it to be an interpreter? Its about communicating ideas which are inexpressible in words. He had this incredible way of distancing himself when we were working together, so it never felt like I was, sort of, battling a parent. Hes a great inspiration for me in that sense. Alisa Weilerstein | The Chamber Music Society of Lincoln Center Cellist Alisa Weilerstein. Weilerstein is a throwback to an earlier age of classical performers: not content merely to serve as a vessel for the composers wishes, she inhabits a piece fully and turns it to her own ends, marvels the New York Times. I think of Mozart as a true prodigy. I live with his music all the time, I love it deeply, Shaw said, adding that the second book of The Well-Tempered Clavier has been her soundtrack for the past year. Alisa Weilerstein Alisa Weilerstein always knew that she wanted to be a cellist. There will be limited program notes in advance, little to guide listeners except their ears and eyes through a collagelike narrative arc assembled from musical fragments. He was Dad (laughs). She also is active in chamber music and performs with her parents, violinist Donald Weilerstein (the founding first violinist of the Cleveland Quartet) and pianist Vivian Lifestyle. Other career milestones include a performance at the White House for President and Mrs. Obama. Ive been looking forward to working with the Orpheus Chamber Orchestra because they dont play like a typical orchestra with a conductor at the head, in which case you just follow the conductors beat.
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